I don't know if that's the official motto of the House of Rohan, but it was a swell enough subtitle that I picked up the book I found it on at the library today. It (roughly) translates to "Can't be king, don't deign to be duke, a Rohan I'll be" - I say roughly because I'm not sure I've got the meaning right, since the Rohans were, in fact, dukes. ??? Well, I look forward to discovering the subtleties of the meaning as I read through the book. It starts with the first Rohans of the 12th century (it seems as though feudal Brittany woke up in the 12th century - you could say the same of France, I suppose, but it's really consistently the 12th century here that family lines get started - and castles get built). I also came back with a book that's a gorgeous reprint of an 1887 guide to the Morbihan (the region that Josselin is in). Because of Mac's work with the radical shift into modernity that WWI wrenched upon regions of France, the photographs in it are especially poignant - and of course drive home the point of how much closer the Middle Ages were to the 19th century than the 19th century is to the 20th.Why all of this Rohan-Morbihan reading? The love affair with Brittany continues to grow, and time seems to be flying. I've had two ridiculous but really, really intense anxiety dreams (the kind where you have to wake yourself up in your dream by saying "That is just not true - wake up!") in which we've come back to the States crazy early - once to visit my parents in their old apartment (i.e. where they don't even live anymore!) and the other to drop the kids off for Spring Break in Greencastle (that one was especially sickening since Mac and I got back on the plane to France not having made any provisions for them in Greencastle - argh!). All this to say, I already don't want this to end, so I'm burrowing deeper into here. Neurotic, I know, but I might learn a thing or two.
Oliver's been on an Egypt kick for a couple of days (that explains the scarab attached to his chest with masking tape and the wrist cuffs (the dear guy at the coiffeur thought that Oliver had been in the hospital at first!), as well as the head gear, I think a crown. Here is Iris trying to undo Oliver's pharaonic dignity. (It worked)
These next two images emerge from Oliver's and my walk home together from the boulangerie to get our baguette for dinner.
I've always loved this house - classic 16th century half -timbered house, at a corner across from the street that breaks into the open area in front of the church. So it was irresistible to me to take this picture of my little guy with a baguette that is more than half his height. Tonight, perusing the reprint of the awesome 1887 guide book to the Morihan, I came across this picture:
Same house! Not much has changed for the house. (It was built after the event for which it was named: "la Rue des Trente" - as in, the Combat of the Thirty, that 14th-century English-French fight between 60 men during the War of Breton Succession, whose commemorative column we went to see for our own re-enactment of events) - but I bet that there were no cars barreling through the narrow street in 1887. And of course to see that women really did wear coiffes - before everything became standardized. 1887 is the same year that Gauguin was in Pont-Aven (in the Finistère, the next department over) where he was probably reveling in the "old country" feel of Brittany and snubbing Paris's late-19th century modernity. I admire how the city of Josselin does that medieval/modern divide so well - will have to articulate why at some point.
In the meantime, a shot of the church steeple as Oliver and I walked home. Bonne nuit, everyone!
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